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And, secondly, why wasn't this series advertised more? For pete's sake, this series is based on a very successful author's work-advertise it so that people know it's there. The number-one New York Times-bestselling author returns with another pulse-pounding thriller featuring FBI agents Dillon Savich and Lacey Sherlock, and introducing Speical Agents Lucy Carlyle and Cooper McKnight. Although I've only seen one episode, I'll keep watching to see if the actors can establish the same relationship. What I enjoyed the most from Baldacci books isn't the plot-hasn't it all been done before? But it's the characterization that pulls me in. In most cases, the reviews are necessarily limited to those that were available to us ahead of publication. As I was watching the episode, my mind was scrambling to figure out which book it was and what was going to happen and I was mentally comparing the actors to the version I had in my head of the book characters. This information about Split Second shown above was first featured in 'The BookBrowse Review' - BookBrowse's membership magazine, and in our weekly 'Publishing This Week' newsletter.
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First of all, when a book has been made into a movie or TV show, very rarely does the video coincide with the mental visuals you had in your head while reading the book itself. A Slave to the Darkness: Book 2 in the Black Rose series PDF. However, I had no idea that one of his series had been made into a TV show, so I was totally surprised when I happened to accidentally stumble upon it. Running time: 91 min.David Baldacci is one of my favorite authors and I have read everything he's written. Reviewed at Broadway screening room, N.Y., March 19, 1992. casting, John & Ros Hubbard (U.K.), Linda Francis (U.S.). Michelle Maxwell is a former Secret Service agent who lost the politician she was supposed to protect when the politician vanished behind closed doors while comforting a grieving widow. Script, Gary Scott Thompson.Ĭamera (Metrocolor), Clive Tickner editor, Dan Rae music, Stephen Parsons, Francis Haines production designer, Chris Edwards costume designer, Antoinette Gregory sound (Dolby), Peter Glossop associate producer, Thompson assistant director, Ray Corbett second-unit action director and camera, Arthur Wooster subway train and additional sequences director, Ian Sharp stunt coordinator, Colin Skeaping creature effects, Stephen Norrington, Kate Murray, Ian Morce, Cliff Wallace special effects supervisor, Alan Whibley, Ace Effects Ltd. Sean King is a former Secret Service agent who allowed his attention to wander for a split second, an error that resulted in the death of the presidential candidate he had been protecting. and Chris Hanley presentation of a Challenge production. The musical score annoyingly and cryptically includes several inappropriate plays of Justin Hayward’s lovely Moody Blues song “Nights in White Satin.”Īn InterStar Releasing release of a Muse Prods. Pollard’s final-reel guest shot as a rat catcher is a complete waste.
Kim Cattrall looks understandably uncomfortable as Hauer’s romantic interest and is subjected to highly unflattering photography. Hauer harrumphs his way through a role that merely parodies his previous fantasy films, while newcomer Neil Duncan fares better in a multidimensional assignment. Follow him on his adventures and discoveries as he struggles with family, emotions and to. After his life finally returns to a sense of normality, recent events on the opposite side of the world will once again throw his life into turmoil. Gore is emphasized by director Tony Maylam as the barely glimpsed monster rips the hearts out of its victims in a ritual that Duncan deduces to be of satanic origin.Ĭlimax in a London subway is well directed by Ian Sharp, but the man-in-a-rubber-suit monster is a poor imitation of “Alien” with lots of dripping petroleum jelly. With a split-second decision he lost them both, along with his freedom. Ballard’s sci-fi novel “The Drowned World.” Unfortunately, low-budget pic emphasizes ugly, claustrophobic sets and a few puddles instead of large-scale imagery.
Opening crawl is more promising than the film itself, announcing a planet that’s waterlogged because of global warming, an idea that suggests the premise of J.G.